After 21 days and nearly
6,000 miles on the road, I suffered tonight through the most painful two hours
of my trip: a lecture by infamous, Sixties icon, John Sinclair,
in East Lansing at Michigan State University.
Yesterday, while having tea at
appropriately-named Strange Matter Coffee in Lansing, with an old girlfriend from
that era, Diane asked me: "What happened to our generation?" She was referring
to how we somehow ended up with that lunatic, Trump, but it's a good, broader question.
Tonight, I found at least part of the answer, in the pathetic, ineffective, self-indulgent
rantings of 76-year-old Sinclair.
If you've never heard of him,
that's no surprise. I barely remembered him, and I was of his era. Sinclair was
something of a counterculture hero of the day, a free-verse poet from Flint,
manager of the rock band MC5, and most famous for getting sentenced in 1969 to
ten years in jail for giving two joints to an undercover narcotics officer. "Free
John Sinclair!" was a Michigan mantra. After John Lennon came
riding to his defense, he got out of jail after 2½ years.
This is a guy with an amazing
story to tell, with lessons relevant today. He was introduced tonight as a man
who "pushed the front ranks of the hippy revolution."
Some revolution. Some revolutionary
he is. Sinclair spent his "conversation" tonight slouched in a chair,
reciting stale tales of past battles, telling lame cannabis jokes, and grumbling
about today's lousy music like an old man on his porch cursing at the kids who
threw a ball into his yard.
Accompanying Sinclair's torpor-inducing
anecdotes was a slide show, projected on a screen behind him and another old
guy, who was charged with directing their "conversation." I flashed
back to the basement of my childhood, with my father stumbling through family
slides on the Kodak carousel projector. Like then, I fought to keep my head
upright and eyes open. A terrible sound system made their exchanges sometimes hard
to follow, though I never felt I was missing out on any nuggets of wisdom.
Mind you, this amateurish, clumsy
performance was sponsored by MSU's brand-new Broad Museum, a premier art edifice
and program at a prestigious Big Ten university.
Not that it's relevant to the
embarrassing caliber of the show, but I will admit to being distracted by unrelated
emotions induced by the locale. Sinclair's show-and-tell took place in MSU's
Erickson Hall Kiva, a small theater-in-the-round. Precisely fifty years ago
tonight, I would have been running a vacuum and floor polisher in that exact place,
since I worked in that very Kiva as a janitor, on the night shift.
Not surprisingly, that history
brought weird memories flooding back -- like when I would sneak off in the
middle of the night and climb into the Kiva's A/V cabinet to hide and sleep
until my shift was over. All this went through my mind, while Sinclair droned on and on about the
good old days of the Sixties when, as he put it, "people's minds were
free." I think John Sinclair's own mind could use a little freeing. Plus, some
multi-media training wouldn't hurt. And public speaking lessons.
* * *
These first two days back in
Michigan have given me a case of sensory overload. I lived here for decades,
during some of the most consequential years of my life. As a result, every spot
I turn, every person I reconnect with, brings back memories of stories I'd forgotten.
Tonight, for instance, Ben reminded me that he and I and Abbie Hoffman once watched
an NFL football game together at Pasquali's Bar in Lansing after Abbie's
lecture at MSU. I still can't remember that one.
What hasn't changed is the depressing place Michigan can be in March. It's cold and gray and spring is
still a long way off. The roads are pocked with winter potholes, giving the
state a tired, run-down feeling.
And then, there are the fat
people. I spend a lot of time in Walmart at home in Oregon, and I thought we
had fat people. There's no competition. Two days ago, I spent an hour in the local
Honda dealer, waiting for an oil change, sitting in front of the waiting room's
popcorn machine and coffee hutch, which offered free donut holes drenched in
frosting. The people who could not resist the tasty treats looked like balloon
characters you see on lawns, but which have been over-inflated so that their
body segments droop over other body segments. Their rolls of blubber made
normal walking impossible, so they shuffled, pigeon-toed, like geese that
had been grossly over-fed to produce foie gras. Nevertheless, I learned that
Michigan needs to try harder; it's still tenth from the top in the national
obesity contest.
Despite everything, most
Michiganians I've met during my visit seem optimistic. Diane, for example, now
a grand dame of Michigan's dance scene, teaches a popular course at MSU,
"Dance as Human Experience," and another for "Ageless
Dancers." Somehow, she found a way to build here a life around her art. And
change people's lives for the better.
Ben has his unique graphic
design art on display in the heart of downtown Lansing's revitalized riverfront,
property that was a wasteland of warehouses and decrepit industries that I still
remember. Ben, too, found a way to live his passion. And bring beauty to
people's lives.
My friend, Bill, now
semi-retired from being advisor to the state's top political and business leaders
for nearly half a century, insisted that I drive along the Detroit riverfront
to see the remarkable changes, which he helped make happen -- new parks,
walkways, housing, and restaurants. In his own way, Bill turned political
progress into an art form -- the art of the possible. And in the process, saved
natural areas all over the state, and restored other such places where they are
needed most -- in the middle of urban Detroit.
Today, Ben and I spent the morning
at Detroit's world-class art museum. A room of Impressionist paintings, familiar
to me as long-ago friends, moved me to tears. I stared long at a small Van Gogh
self-portrait, and remembered it had been fifty-five years ago when a high
school friend had first dragged me to see this masterpiece, one of his favorite
paintings. It was my introduction to a lifetime of loving art.
That first encounter could
well have happened fifty-five years to this very day. The high school buddy who
first showed me that Van Gogh was the same guy I'll be seeing, two days from
now, for the first time since shortly after high school.
After gorging on as much
culture as we could digest, including an especially long time marveling at the indescribable
Diego Rivera murals that feature Detroit's early auto industry, we cruised down
Woodward Avenue, and soon were caught in a sea of Red Wings fans flooding to
the new hockey arena. Driving up Jefferson Avenue, we checked out Bill's
pride-and-joy, the recently created William G. Milliken State Park, on the riverfront
right in downtown Detroit. The area's transformation was as impressive as Bill described.
His pride was well-placed.
Yet, this is still Detroit, and
as Ben reminded me, "When they say Detroit's coming back, remember, ten
blocks from here there are ghettos and slums that are so bad they've been
abandoned. The magnitude of what has to happen, it's a mammoth job."
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